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Through the Scanner Darkly

Seems strange, but there are only two degrees of separation between me and the late, famous, science fiction author, Philip K. Dick (“PKD”). If you aren’t familiar, Dick was the author of a number of stories which have since been made into major films such as: Blade Runner, Total Recall, Minority Report, and the recently-released film A Scanner Darkly. I’ve just got two degrees of separation from Philip K. Dick because of my “spare time” work on writing a soon-to-be-published book about two of his friends and protégés, Tim Powers and James P. Blaylock. In the course of writing that book, (A Comprehensive Dual Bibliography of James P. Blaylock & Tim Powers), I asked the authors questions about their old friend, Dick, and I spoke with other friends of his as well. He was apparently a very interesting character — brilliant, and more than a bit mysterious as well. PKD had a few unusual religious visions and appeared to suffer occasionally from paranoia and other schizophrenic bouts.

Last weekend, I got to see the most recent film inspired by a Philip K. Dick story, A Scanner Darkly, directed by Richard Linklater. The film was really great, telling a futuristic story of an undercover cop who becomes addicted to the drug of choice for his surveillance subjects, and then becomes required to spy on himself in the course of his investigation. The undercover cops all wear these camouflage suits which morph together features from millions of individuals to obscure their identies from others and from each other. The film is astoundingly well-made, and is pretty entertaining overall.

I saw that Nelson Minar, one of Google’s engineers, is also apparently a reader of PKD, and he blogged his impressions about A Scanner Darkly, too. He agrees that it’s good, though I disagree with him: he thinks it won’t appeal to people who haven’t read the book, and I think it will. It strikes too many chords with people, even today, and the actor’s humor in the early parts saves it from being too dry/boring.

Dick’s stories still seem relevant, over twenty years after his death. His stories contrasted realistic characters against a twisted reality where commercialism and technology seem to’ve evolved past a reasonable point. He played around with the nature of reality itself, and his work seemed to segue smoothly into the cyberpunk movement, which I previously posted about.

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